Capote & Marilyn Monroe: The Black and White Ball
THE BLACK AND WHITE BALL
—Christopher Bram, Eminent
Outlaws: The Gay Writers
Who Changed America
The Black and White Ball—
of course, it wasn’t real
How could it exist anymore—
than IN COLD BLOOD?
_____________
Chic critics mocked the idea—
scoffed and pooh-poohed it
How could a novelist possibly—
leave himself out of his novel?
________________
Are we so bankrupt, they said—
so avid for decadent escape?
That we stoop to enjoy a—
NATIONAL ENQUIRER exposé?
______________
So VOGUE jaded that we must—
Ogle at HOLLYWOOD CONFIDENTIAL?
Surely IN COLD BLOOD is just —
a mere piece of schlocky gossip?
_____________
A morbid dizzy kitschy piece of—
insipidly snarky yellow journalism?
Shame on Miss Capote for her—
wicked satire of Holcomb, Kansas
__________
Doing her stylish sophisticated—
NEW YORKER take on such a tragedy
Glorifying those two ex-con killers—
as if murder be so tres cosmopolitan
______________
Just as boring and ordinary as—
some Big Apple ho-hum homicide?
Worming his way nefariously into—
the confidences of Perry & Hickcock
______________
Cold blooded as the two ex-cons—
so devoted to his murder melodrama
Living out there on the High Plains—
in a lonely Garden City dingy motel
____________
Harper Lee as his Fag Hag diplomat—
ingratiating himself to get the Story
Bribing his way into Lansing Prison—
schmoozing out all the juicy details?
______________
Patiently waiting for the inevitable—
Noose Party at the jerky climax?
No wonder Capote became alcoholic—
all to get on the NYTimes bestseller list
______________
Intensely knotted up in fear—
full of self-pity and survivor’s guilt?
Hardly, my dears, get real—
she couldn’t wait for them to die
________________
So she could finally become—
The Great American Proust!!!
Throwing her splendidly sordid—
Black and White Ball to celebrate!!!
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