Sunday, December 30, 2012
Why I Hate Kansas
WHY I HATE KANSAS
And so, here I am at the Granada—
Someday it will be a Bingo Parlor
The Baby Boomer days are gone—
I’m the last Baby Boomer Badboy
The old Snake Pit Drive In Theater—
Gone like Vegas Elvis the Pelvis
No more Sexploitation skin flicks—
Like Creature from the Black Lagoon
Gone the Giant Gila Monster—
And the campy Devil Girl from Mars
Attack of the Giant Shrews so cool—
And those awful Atom Age Vampires
You see, I Walked With A Zombie—
I was a Werewolf In A Girls Dormitory
The cheesy Plan 9 From Outer Space—
It was all about Cowtown Emporia
The Attack of the Giant Leeches—
Just look at the Re-Echo Yearbook
Those booze & dope Saturday nights—
Getting a Blowjob in the balcony
All those crummy high school dayz—
Cruising up & down the Main Drag
I got married to The Wasp Woman—
I ended up The Man Made Monster
I live in The House on Haunted Hill—
Don’t Look in the Basement
Because I’m down there, baby—
Like that’s where I live now
Wednesday, December 19, 2012
Self-Portrait
Dred Scott
SELF PORTRAIT
It’s always sobering—
For an aging baby boomer
Like me to sometimes do
A little Self Portraiture
Outta the WW II womb—
And Great Depression
Viola! A bunch of us
Pampered spoiled brats
Drive In junkies—
We had cars back then
Postwar rug-rats and the
Whole world was ours
______________
Hot Elvis the Pelvis—
Ducktail Rock & Roll!!!
Wild and Affluent youth
We had things to do!
Too good to be true—
They laid the nefarious
Viet Nam War on us to
Control our Generation
It seems like there’s—
Always intergenerational
Warfare going on between
Kids and parents
_________________
There were simply—
Too many of us wild
Turbulent youth so let’s
Have another War, dears!
And so they gave us—
Nixon and “Night of
The Living Dead” to put
Down our 60’s Libido
Body-bags and war—
Such dirty things but
What the fucking hell
War economies work!
_____________
“Love not War!” —
Proclaimed the Hippies
Counterculture protest &
Generational War began
It’s Still going on—
So many fucking wars later
Each generation faced with
The same denouement
NOW it’s gay lib’s turn—
We’re all just Fag slackers
“Bestiality” Bad Boyz the
Great Law scholars call us
________________
Gay marriage approved—
Slowly state by state despite
DOMA declaring its sanctity
Ever So Heteronormative!
Salome does her lovely dance—
Oscar Wilde gets another chance
To dance with the Supreme Court’s
Esteemed Justice Antonin Scalia
“Heads” or Tails it’s bound to be—
The Dance of the Seven Veils
If only “Salome” Rita Hayworth and
Charles Laughton could be there
_________________
And so here I am, my dears—
Nothing but a minor little pawn
A mere Reductio ad absurdum
“Fallen Angel” it seems for now
Not that future generations—
Will even remember the trials
And tribulations of what’s coming
Down in this so-so legal soiree
_____________________
My whole life now seems somewhat—
Caught up between two important
Legal cases: “The Dred Scott Decision”
With Blacks & me simply slave chattel
And “Brown vs. Board of Education 1954”—
Concerned with equal educational rights
And opportunities of African-Americans
And now GLBT citizens as well, my dears
Thursday, December 13, 2012
Salome (1953)
SALOME (1953)
Nothing like a campy—
Hollywood Sword & Sandal
Biblical Epic to Butch me
Up for Sunday School!!!
To face the Christians—
Slithering every Sunday
Guilting me severely with
Damning demeaning Hell!!!
And to think, my dears—
Christians once back then
Such Fearful Closet Cases
Under the Roman sword!!!
Both Charles Laughton—
And Miss Stewart Granger
Such flaming LA Queens
What Faggy Filmographies!!!
“Salome” tells the story—
About Christian persecution
John the Baptist’s holy head
Plopped on a Silver Platter!!!
How things have changed—
Rome the New Religious Right
Jerry Fartwell & Jimmy Swaggart
Preaching hatred for all Queers!!!
Backed by rabid Mormonism—
And Revered Edie Long Dong
Christians the New Persecutors
Let Salome begin her Dance!!!
Please Stand By
PLEASE STAND BY
BACK HOME
"You can't go back home
to your family, back home
to your childhood”
—Thomas Wolfe, You Can’t
Go Home Again
Once you realize that—
The denouement of the novel
The film and the short story
Then you realize it’s shit
The sooner you realize this—
The better off you’ll be when
It comes to checking out the
Possibilities of who you are
You’re basically nothing—
But a shitty cow-patty plopped
Down in the Tall Grass Prairie
Beside the Santa Fe Tracks
BACK TO EMPORIA
“... back
home to a young man's
dreams of glory and of fame ...”
—Thomas Wolfe, You Can’t
Go Home Again
No more than a fucking—
Shitty cow-patty dumped on
The high plains down here
On the Fly Over State
So get used to it—
There’s nothing down here
Between the Neosho & Cottonwood
Other than you & Commercial St
We’re just simply a fucking—
Shitty cow-patty dumped down
On the high plains between
The Neosho & Cottonwood
BACK HOME TO EMPORIA
“back home to the escapes
of Time Memory."
—Thomas Wolfe, You Can’t
Go Home Again
So get used to it—
The Kansas prairie will be
Here long after we’ve come
And gone our way
Look at it as a gift—
You’re a nice privileged
Piece of shit that woke
Up and walked around
Say hello to your—
Fellow Emporians who
Like William Allen White
Once walked this earth
Tuesday, December 11, 2012
Dark Victory
DARK VICTORY
For Dr. Francis X. Allard
“Well, my dear” —
Bette Davis said with an
“All About Eve” twist of
Her swishing cigarette
“Better late than never” —
Referring to the recent gay
Marriage initiative passed
In the State of Washington
Francis had been dead —
Since 2000 after 27 years
Being my partner after
Meeting each other at UW
“Tell me, my dear” —
Bette said, standing on
The big winding staircase
Glancing down at the party
“How many are there —
I wonder, gay widows like
You now that the grand
Performance is over?”
I girded my loins —
Fastened my seatbelt
It had been a very
Bumpy ride, my dears
A true “Dark Victory” —
So many of us gay couples
Had lost our partners by
This dark victorious night
Monday, December 10, 2012
Filming in Cold Blood
FILMING IN COLD BLOOD
An opening shot—
“Welcome to Emporia”
There on Sixth Avenue West
Dick and me driving—
Through Emporia, Kansas
Past the looming Plumb Mansion
Past Carnegie Library—
And the Civic Auditorium
Then a right on Commercial
Driving north to campus—
Down a couple of blocks
To Haynes Hardware Store
HAYNES HARDWARE STORE
Some rope and tape—
To tie the Clutter Family up
Nice and real tight, honey
We’ll skip the fucking—
Catholic nun’s black nylons
For masks, says Dick
It’ll be dark by then—
There in Holcomb, Kansas
At the rich Clutter Joint
It’s a long drive, honey—
But this old Chevy will
Get us there that’s for sure
Driving Up Commercial
DRIVING UP COMMERCIAL
C’mon Perry, don’t gimme—
Your crazy, loony superstitious
Fucked-up premonition crap
None of your stupid boyhood—
Fucked-up Big Bird routine
And your usual paranoid spiel
By the time it’s over with—
We’ll be Fat Cat rich and on
Our way to Mexico, honey!!!
Little did Dick know though—
That Truman Capote would
End up as my cute lover boy
PAST THE GRANADA THEATER
Past the Kress Five and Dime—
Past the Strand Theater as we’re
Driving up Commercial slowly
Past the ugly Presbyterian Church—
Gothic brooding limestone wreck
Facing elegant Granada film palace
Past the bright flashing marquee—
The Granada Theater where our
Story would end up there in lights
Up on the Hollywood Silver Screen—
The whole sordid fucked-up noir
Movie of our wretched no-good lives
Driving to Holcomb
DRIVING TO HOLCOMB
Doing the dirty deed—
What a goddamn wild goose
Chase it all was all based on
Floyd Welles’ stupid lies
Afterwards, Dick called it—
Misinformation that’s all
But I just smirked, it was
All just cheap Pulp Fiction
There was no Safe—
With $10,000 in the wall
Just waiting for us to grab
And make a run for it
COLD-BLOODED MURDER
Miss Capote opines adroitly—
The whole psychiatric spiel
Explaining why we did what
We did, all the reasons why
As if it was some kind of—
Detective Fiction Novel
Easily explained by Prose
Topeka brainy intellectuals
When actually it was all—
My own spontaneous rage
To prove myself to Hickock
I was a real Killer just for him
Blonde Chicken
BLONDE CHICKEN
I knew Dick pretty good—
I knew his strengths there
In bed, but I knew his
Crummy weaknesses too
He couldn’t control himself—
Losing all of his common sense
Needing to get it off with chicks
Especially the young chickens
With no dough to show for—
Dick’s whole fucked-up scheme
He’d dreamed up because of
Crazy Floyd Welles’ lies
HOT BLOODED CRIME
So it wasn’t in cold blood—
Like Truman Capote called it
It was just pure unadulterated
Faggoty Green Jealousy
All just to impress Hickcock—
How much I really loved him
And wanted to impress him
With my Thuggish Killer ways
It wasn’t cold-blooded at all—
It wasn’t frustration of getting
No dough or anything like that
It was just a Lover’s Jealousy
Kiss of Death
KISS OF DEATH
Truman Capote and I were—
Just a couple of the usual
Hardcore queens who got off
On goodlooking str8t trade
I wasn’t ever into rough trade—
Except when Dick wanted to
His mean disfigured sexy face
From a drunk car accident
Richard Avedon captured it—
Dick’s knowing criminal look
How he could flex his nice arms
And make me weak in the knees
FEMME FATALE EYES
Dick had those big sad—
Femme fatale eyes he’d bat
Just for me like some sexy
Fag noir bitch in heat
Sometimes he could be—
Butch and mean but other
Times he made me feel like
A million bucks just for him
I was a pretty good bottom—
For whatever he needed then
He’d whisper some cute chick’s
Name and fuck me real good
Doing In Cold Blood
DOING IN COLD BLOOD
Capote’s “In Cold Blood”—
Was actually a Three-way
Sordid pulp fiction Novel
If you know what I mean
A Novel and two Flicks—
Based on 4 grisly murders
In Holcomb Kansas back
In 1959 when I was a kid
Capote’s non-fiction novel—
Had all the class of tres chic
Sophisticated New Yorker
Style and Slick Decadence
THE TWO FLICKS
The first flick in 1967—
Directed by Richard Brooks
And starring Robert Blake’s
Stunning portrayal of me
The second flick in 2005—
With Philip Seymour Hoffman
As the troubled, ingratiating
Ambitious queer Capote
The Clutter murders in 1959—
Capote’s book published in 1965
Two years later Brook’s film then
Hoffman’s masturbation piece
Doing Capote
DOING CAPOTE
Nobody could do Capote—
Like Capote did himself
Supposedly inventing a
Whole new Novel genre
The Novel as Film Noir—
The Book as a Movie
I saw it all in the Granada
Kansas turned into Film
Emporians weren’t ready—
Shocked by the Violence
To think that the Killers
Slithered through downtown
HAYNES HARDWARE STORE
The weird thing was that—
I lived next door in Emporia
To Mr. & Mrs. Haynes there on
Constitution Street in town
A long elm-shaded street—
Stretching down lazy afternoons
Past KSTC campus to my small
Emporia High School
The only murders I’d known—
Were the Hollywood ones then
In the Granada & the Strand
And the 50-S Drive In
Nonfiction Novels
NONFICTION NOVELS
The Clutter murders took place—
When I was in the 9th grade
The novels I’d read were
The usual banned ones
Especially “Fanny Hill” and—
“Lady Chatterley’s Lover” kept
Discretely in Mommy Dearest’s
Living room locked escritoire
I’d read William Golding’s—
Rather gay “Lord of the Flies”
And Harper Lee’s “To Kill A
Mockingbird” in 1960
NONFICTION LIFE IN KANSAS
Back then it was all—
Dove-tailing together for me
The novel, the movies, and
The Viet Nam War nightmare
Death in Dallas loomed—
Death in Holcomb Kansas
Death in Viet Nam and
Possible death for me
It was like Truman Capote—
Had put his finger on something
That was changing very fast
And getting closer and closer
To Kill A Mockingbird
TO KILL A MOCKINGBIRD
Harper Lee had put Truman—
Right in the middle of her novel
As the young weird kid “Dill”
Fictionalizing the Deep South
Then it was Truman Capote’s turn—
To put Harper and him on the
Santa Fe Super Chief all the
Way to Garden City Kansas
That’s where he wrote it—
There in a motel with Harper’s
Help and William Shawn with
The New Yorker’s funding
IN COLD BLOOD
How does this Novel—
Work nonfiction-wise for a
Kansas kid growing up in a
Small town like Emporia
It’s been over 50 years—
Since the Holcomb homicides
And Kansas will never ever
Be the same since then
William Allen White’s—
Placid little college town
Somehow stands still today
Like a Midwestern noir novel
MODERN MATURITY IN THE FLYOVER STATE
—for David Penny
How nice of you to visit old Anita B. Rice—there at the retirement home way back then. But as you surely must know—the old bag kicked the bucket way back in 1994.
So there’s no way Anita B. Rice could be—ensconced here in
Emporia in the lovely Kenyon Heights Apartments with me. I was just imploring a
minor poetic conceit—the idea of Midwestern noir in the Flyover State.
The same with grizzled old grumpy Wood Bloxom—
his Hispanic Racism and Simmering Sexism with all that
misogamist miasma of his generation. It would never be tolerated today—either
by the academic administration or by the students.
The same with Albert Higgins and Ed Sands—why were they
fired? Did they think they were above reproach—permitted to rule and lord over
others like Bloxom and Rice? With the same old generational grudges—and prima
donna privileges? Hardly.
Emporia has devolved back into what it always was—
a rural retirement small town community for Widows and aging
Wrinklies. The Athens of The Midwest—is now Retirement City USA. Wasn’t it
always that way though?
The Broadview Hotel there on Sixth Avenue—Kenyan Heights
there on Twelfth. Full of retired people—aging Baby Boomer couples and singles.
The Flyover State—one big Retirement community. Surrounded by ghost towns—and
vast corporate farmlands.
Emporia Senior High School—will now be a great thriving
Convention Center. I can’t wait to be the first guest—to be booked into the
Wood Bloxom Bridal Suite!!! How about the Anita B. Rice—or Ed Price lovely
suites with wonderful Views?
And the first corporate Convention in town—surely it must be
the Hostess Twinkie Bake Sale Bonanza!
Or how about the Tyson Cluck Cluck Chicken Reunion Convention—or the
Iowa Beef Stinkeroo Barbeque Memorial Get Together!
Ah Modern Maturity—comes to the Midwest. Ain’t it
Great—ain’t it Wonderful? Just look at our lovely Class of 1962 Reunion
Convention. Gathered together at the Granada Theater—for our grand Fiftieth
Reunion Nostalgic Affair.
Too bad that our Neoclassical Emporia High School—hadn’t
been restored, renovated and remodeled yet for our Fiftieth Reunion Get
Together.
Oh well, but it’s kinda funny. How Bloxom, Rice & all
those other Mentors—from way back then. Still are haunting my gaunt, gothic
Imagination—Memories, Dreams and Flashbacks from 50 years ago.
But soon I’ll be just simply—nothing but Flyover State
History. A brief Smudge & a mere Smidgeon—of that long gone Midwestern Noir
moment back then.
“And you were there” — as Walter Cronkite said.
Sunday, December 9, 2012
Letter to Emporia
Letter to Emporia
Dear David and Buddy—
Please don’t believe everything I write—
Whether it’s imploring midwestern noir poetics
Or being ensconced now in new Kenyon Heights
Miss Anita B. Rice died in 1994, of course—
There’s no way she could be living now with me now
Except in my midwestern noir fictional fantasy—
It’s nice you were able to visit her back then
At the Presbyterian retirement home though
One’s perception I suppose of those incredible—
Midwestern monolithic personalities back then
With the looming Easter Island image of Bloxom
Standing there at that same third floor door—
Greeting us with his continuous grimace back
Then each morning like he’d done for centuries
Photos of Wood as football coach back in 1938—
All of them standing there against the brick wall
Of the western EHS façade below his class window
Teaching in the same classroom back in the ‘40s—
When my mother walked those same hallways
And sat at those same scarred bolted-down desks
It was everything else under the sun including
The fact that Hispanics were surely doomed
Holding all those generations not so enthralled—
As he was with his high-toned lecturing voice
His features gnarled like gargoyles from Chartres
“Somewhere in Kansas the sun is shining—
But it’s not shining down here on Emporia today”
Was like his continuous rant and by-line message
And he was probably true as was Anita Rice—
Saying daily “I’m simply appalled, my dear” when
Nobody could answer her American History questions
That Wood was seemingly racist was bad enough—
But he was also downgrading and misogynist toward
Budding young women scholars like Connie Leonhart
Who won a National Merit Scholarship to Stanford—
There in Palo Alto like Larry Ballard to MIT but that
Was something we all had to put up with back then
I doubt if a teacher like Wood Bloxom with attitude—
Could get away with what he opined those mornings
To us his captive audience of denigrated youngsters
But that was then from another generation—
Can you imagine being nailed down all those years
To one class of dummies after another?
No wonder Wood and Anita were cynical I suppose—
And yet it was a job like his wife there at Walnut
Rice, Bloxom, Price, Parker all of them gone now
Being lock-step captives since Walnut Elementary—
All the way up through EHS and perhaps KSTC
Surely it was a rather unique social situation?
Growing up that way with a group of people that—
From Emporia who would’ve just been strangers
Had it not been for such a unique school system?
No wonder buildings like Lowther and EHS—
Standing lonely like Neo-Classical Temples there
On West Sixth Avenue could be so very haunting
And the YMCA across the street with its pool—
Basketball court, juke box and dancing room
Torn down now and just a forlorn parking lot
So much of Emporia history gone now like—
The Hood Mansion on State Street where
Marion Howard the Spanish teacher lived
Me and my divorced mother in a little shack—
Across the street on Seventh Avenue just up
From Roberts-Barnett-Blue Funeral Home
How gaunt and gothic the Hood Mansion—
Standing there in the Midwestern moonlight
Reminding of Hitchcock’s “Psycho” mansion
And yet it had its own Emporia history—
With Major Hood from the Civil War days
Cattleman mover & shaker bankster lord
The gone First Christian Church on Exchange—
Byzantine with its moody domes and its basement
Smelling of some kind of strange incense there
Baptized but not really knowing why it was—
That my County Commissioner grandfather and
G.A.R. grandmother insisted I get dunked then
Norton Hall on Twelfth on the KSTC campus—
Where I stood enthralled gazing horrified at
The bottled babies embalmed in formaldehyde
Vernon Sheffield coming to my comfort back—
Then when he was a math professor, hearing me
Sobbing forlornly there by the display cabinets
There but for the grace of God I could’ve been—
Bottled in bug-eyed perpetuity staring out at
The passer-bys peering at the dead embryos
Sheffield playing Chopin for me on the piano—
Soothing my shocked adolescent impressionable
Mind back then, his recitals were inspiring
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